Like many of my works - these started as my architectural photographs
(Some are from my book Divine Decline.)
One is of 63 Harbour Street Whitstable in Kent.
http://www.63harbourstreet.co.uk/
Friday, 15 July 2011
New Drawings
Friday, 24 June 2011
Reviews, Articles & Publications
Article Published in "Fox Magazine"
July 2011
Article Published in "The Cholmeleian"
Summer 2011
Article published in The Blue Note Book: Journal for Artists' Books Volume 5: no. 1,
(Review of Divine Decline)
October 2010
(Review of Divine Decline)
October 2010
A tiny version of Divine Decline was produced by hand by the Author in a very small edition. It was shown at a Book Launch in the White Heat Exhibition at Kaleid Gallery, 23-25 Redchurch St, London E2 7DJ
A review written by Kasia Wlaszczyk and published in The Blue Note Book: Journal for Artists' Books Volume 5: no. 1, October 2010. The exhibition was curated at KALEID in Shoreditch between 2nd-27th June 2010.
"History and heritage also play integral roles in Andrew Pegram’s work Divine Decline, a collection of small scale photographs of buildings that despite their architectural and historical value are left abandoned and un-restored. Through a neo-romantic portrayal of the passage of time, Pegram, a contemporary photographer, creates, much in the vein of Foucault, a heterotopia. In his work the buildings are like cemeteries, physically disseminated throughout London and the everyday while simultaneously occupying a more ambiguous space of absence. If the city in its skyscraping glory was the embodiment of the modern, then Pegram’s phantom buildings seem to define our post-modern age of ruptures and dissemination."
Kasia Wlaszczyk
Thursday, 5 May 2011
Sunday, 24 April 2011
Monday, 21 February 2011
Wednesday, 19 January 2011
Very Early Work
Up to the late 1960's I was taught by the famous Welsh Artist Kyffin Williams. I have just been directed to a blog about Kyffin where to my amazement I have found a painting made by me all those years ago. Although the work is pretty scruffy, I am deeply flattered that such a famous artist collected and kept just a little of my work.
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